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Niklas Lukassen: Live at The Vortex Jazz Club
Still Waters running deep through the Vortex
Hilary Seabrook
Feb 232 min read


Brian Molley: ‘Tùs/Origin’
Celebrating Scotland as the birthplace of jazz (maybe)
Hilary Seabrook
Feb 182 min read


PARRA.DICE: ‘Turn the Dice’
Exuberant jazz from the Netherlands
Hilary Seabrook
Feb 171 min read


Mammal Hands: ‘Circadia’
Piano, sax and drums at the soul of Mammal Hands
Hilary Seabrook
Feb 132 min read


Niklas Lukassen: ‘Still Waters’
European jazz in waters that run deep
Hilary Seabrook
Feb 122 min read


Julian Arguelles: Live at the 606 Club
An extraordinary gig at one of my favourite venues
Hilary Seabrook
Feb 102 min read


Cheltenham Jazz Festival: Lineup announced
Setting the stage for big jazz anniversaries at Cheltenham
Hilary Seabrook
Feb 102 min read


On Impulse: Live at The Pump House Watford
Lockheart and Muoneké do more than pay tribute
Hilary Seabrook
Feb 92 min read


Ron Carter & Ricky Dillard: ‘Sweet, Sweet Spirit’
A gospel-infused hybrid tribute
Hilary Seabrook
Feb 61 min read


Alan Barnes: Live at West Side Jazz
Understated, dynamic dexterity
Hilary Seabrook
Feb 52 min read


Maria Schneider: ‘American Crow’
Maria Schneider is a true musical genius and it was such an honour that I was able to interview her for Harmonious World in 2020. Now she has released a new EP - ‘American Crow’ - that is an extension of her wonderful album ‘Data Lords’. Schneider says: “Every time I hear my band play, I witness the magic of listening. A true jazz improvisor thrives on listening ... Jazz shines a light on what we are allowing to slip away in our brittle and fractured world, making our art f
Hilary Seabrook
Feb 42 min read


Winnipeg Jazz Orchestra: ‘Forgotten Stories Suite’
I love it when music is combined with the spoken word and there’s a beautiful selection of poetic monologues that accompany each of the movements of ‘The Forgotten Stories Suite’ from the Winnipeg Jazz Orchestra . Composed by multi-instrumentalist Sean Irvine , the album allows the orchestra to range around emotional personal stories, with vocals from Karly Epp and narration of the monologues from Quinn Greene. The opening Forgotten Stories monologue introduces us to the con
Hilary Seabrook
Feb 32 min read


Joel Ross: ‘Gospel Music’
Complexity and simplicity of faith and jazz
Hilary Seabrook
Feb 22 min read


Lucy Mellenfield: ‘Tell the Water, She Will Listen’
The musician-led Stoney-Lane Records always delivers new and interesting music and once again they have introduced me to a new artist - composer, pianist and vocalist Lucy Mellenfield . If you want somewhere to start, I recommend the gradual build-up of layers on Like a Feather before the track finishes once more on nearly-solo piano. From the opening notes, this songwriting and composition flits effortlessly between jazz and folk - and who needs to put music in genre boxes
Hilary Seabrook
Jan 292 min read


North Sea Jazz Festival
An incredible line-up promised for the 2026 North Sea Jazz Festival
Hilary Seabrook
Jan 271 min read


John Vanore: ‘Easter Island Suite’
Cinematic and expansive
Hilary Seabrook
Jan 262 min read


Julian Lage: ‘Scenes From Above’
"My dream with composing is ... something to talk about"
Hilary Seabrook
Jan 232 min read


The New York Second: ‘Cafe Madrid’
Get your headphones on
Hilary Seabrook
Jan 142 min read


La Linea: Festival preview
La Linea – The London Latin Music Festival 2026
Hilary Seabrook
Jan 132 min read


Miah Persson sings Michael Shapiro
Bringing words to life
Hilary Seabrook
Jan 52 min read
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